One of my new responsibilities is overseeing production of Arkansas Week, which marked its 40th anniversary in February. One clarification from what Kyle wrote, I wasn’t planning on taking the reel-to-reel recorder with – that belonged to the station – but yes on moving the extensive collection of personal items from my office, including vintage microphones, hundreds of cassettes, and other items I’d kept there over the years. I’ve always enjoyed editing video, but never had an opportunity to do it in a professional setting other than a few videos I produced for KUAR’s website, like one of the 2014 dedication of Johnny Cash’s boyhood home or a 2022 interview with cartoonist Stephan Pastis.Īrkansas Business reporter Kyle Massey, who covers media-related issues and has written extensively about KUAR and Arkansas PBS over the years, had a column about my career change in the Dec. Our coverage is seen on eight television channels throughout Arkansas, covering 96% of the state. I’m working mostly in a managerial, behind the scenes role. I also occasionally filled in hosting the show and was involved in special coverage, including asking questions of political candidates at debates hosted by Arkansas PBS and its predecessor AETN.Īlready knowing several people working at the television network helped in the transition to the new job. While I have a deep love for the medium of radio and podcasts, this was an exciting chance to work in a new realm and help expand news coverage on Arkansas PBS.įor much of my time at KUAR, I had also appeared regularly on the television network’s flagship public affairs program Arkansas Week, taking part in journalist roundtable discussions on the state’s top political stories. I had been with the NPR station at the University of Arkansas at Little Rock since 2009, serving as news director for the last 10 years. 30, 2022, capping more than three decades in radio. Looking forward to new adventures! /xX89UMJZXq 3, I’ll begin at as Senior Producer/ Director of Public Affairs. I won’t change my profile photo just yet, but after 34 years in radio, the last 13 at today I submitted my resignation letter. 3 as Senior Producer/Director of Public Affairs.Īfter accepting the job and giving five weeks notice to longtime employer KUAR-FM 89.1, I posted on social media about my career change. This is my first time working exclusively in television and video-related digital media, but I’m still using the journalism basics that are instilled after decades of being a radio reporter, anchor, editor and manager. I’m nearing six months into a new job at Arkansas PBS, greatly enjoying working in a new environment with a different set of challenges and the opportunity to try new things. Like most public broadcasting operations, KUAR and KLRE rely on listener contributions for a large part of their operating budgets and several times each year hold on-air fund raisers.After 34 years in radio, now at Arkansas PBSīy Michael Hibblen | | About Me, Arkansas Week, News The stations also offers UALR students the chance to get broadcasting experience by working part-time. A full-time staff of nine people run the operation, including Interim General Manager/Program Director Nathan Vandiver, Operations Director William Wagner, News Director Michael Hibblen, and Development Director Vanessa McKuin. The two stations have studios and offices on Asher Avenue in Little Rock's University District. KLRE's transmitter is on the campus of Metropolitan High School, off Scott Hamilton Drive. KLRE is a full-time classical music station, airing syndicated classical programming from Classical 24 and NPR, along with some local hosts. KLRE-FM (90.5 MHz "Classical 90.5") is also a public radio station in Little Rock, licensed to the University of Arkansas at Little Rock. Close ▲ KUAR and KLRE broadcasting in HD with all of the subchannels.
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The trusty Geometric sans builds on its legacy Understood rebrand by Wolff Olins, included a collaboration with Displaay Type Foundry 2. Making certain characters more distinguishable for readers and improving readability is a simple but well-considered approach, and one that more brands should replicate in 2023." "It was brilliantly considered, tackling legibility head-on without compromising on brand distinctiveness. "This included a collaboration with Displaay Type Foundry and focused on understanding the needs of those with dyslexia and ADHD," says Kirsty. Accessibility and inclusivity will hopefully be essential to type conversations next year."Īs a shining example, she points to Wolff Olins' rebrand for Understood, a non-profit organisation for those who learn or think differently. With 17% of the global population diagnosed as neurodiverse, they make up a huge portion of audiences who need catering to. "You can still be imaginative, colourful and functional at the same time. "Brands can do so much more than producing larger type sizes and opening up kerning," says Kirsty. That said, she still feels things need to be pushed further. So it's good news that discussion around neurodiversity and inclusivity has been one of the big typography trends of 2022, says Kirsty Minns, executive creative director at Mother Design. After all, if members of your audience literally can't read the text you have typeset, you have failed them 100 per cent. Accessibility for allĪccessibility is vital when it comes to type. First, though, let's set some context as our experts point to some key font trends that have characterised 2022 so far, and we can expect to see more of over the coming 12 months. With that in mind, below, you'll find 40 fantastic fonts for 2023. However, I've always found trends fascinating because they reflect the cultural attitudes of the moment." In the words of Sarah Hyndman, author of the bestselling book Why Fonts Matter: "What I'd say about type trends is for designers not to get too hung up on them and to focus on what's appropriate for the audience. But you should at least keep your mind open to the possibility. Of course, just because a particular font is "trending" doesn't mean you should use it. While our list can never be fully comprehensive, we hope it gives you a flavour of how 2022 has shaped next year's big expected hitters and what fonts will likely be big in 2023. To help you stay abreast, each year, we put a lot of effort into researching the fonts that are currently in use throughout the design world and whittle down the most important, useful and intriguing ones for you to consider. So it's always good to look for new fonts that can help you mix things up, experiment, and hopefully come up with visuals that will entice and excite you. But while that may make it easy to keep churning out good, solid, dependable designs, it does run the risk of becoming. Once you've been a designer long enough, it's common to find yourself sticking to the same, tried-and-tested typefaces year in, year out. The GameCube has a massive library of games, so it's certainly not a small task to bring them all over. The library won't come all at once - the games that do come will likely be released over the course of several years. Gamers will have to exercise patience to see how many GameCube titles make their way to Nintendo Switch. It's understandable that it can't definitively commit to every game making the transition over to Nintendo Switch, as it could end up being an empty promise. No doubt these rereleased games sell good numbers, but Nintendo is a busy company, and likely has bigger priorities. There's clearly an interest on Nintendo's side for making these games available - it's just a delicate balancing act of getting them out in a timely manner without putting too many resources into it. Shadow-dropping Pikmin 1 and its sequel was certainly a step in the right direction, even if Pikmin 2's Switch port made a massively controversial change. The news doesn't spell doom and gloom for Nintendo fans. When asked whether gamers would be able to play software released for the GameCube on Switch, President of Nintendo Shuntaro Furukawa simply pointed out that "the HD versions of Pikmin 1 and Pikmin 2 just recently became available on June 22 for Nintendo Switch." While it's not a denial of things to come in the future, it's equally not a confirmation in any way, shape, or form. The news was first reported by Go Nintendo, including a transcription from a Q&A event at Nintendo's 83rd Annual General Meeting of Shareholders. RELATED: Nintendo Fan Creates Incredible Super Mario Bros. However, backwards compatibility in future consoles goes a long way toward solving the issue of preservation, which is why it's often such a big selling point for gamers. There are different ways for this to be done, and historically, emulators have been one of the leading solutions. For some, the likes of Xbox 360 and PlayStation 3 would already fall under that bracket, and because of this, the preservation of these titles becomes more important each year. Just recently, two classic GameCube Games shadow-dropped for the Nintendo Switch, but it appears not every game will be making the jump.Įach year, more and more titles are considered to be retro games. Nintendo has confirmed that it won't commit to bringing classic GameCube games to Switch Online. Quality, traceability and independent testing, along with our collaboration with leading suppliers and specialists, means you can depend on MARLUX™ as your long-term partner for your 100% recyclable privacy curtains. 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